This is a piece I wrote for Red Thought Media back in the day. Since that URL is no longer supported, I thought I'd post it here. This was based on an interview with Grammy winner Justin Robinson, one of the most interesting people I've ever talked to.
Time
Travel with Justin Robinson
by Jesse McCarl
by Jesse McCarl
Recently I had the chance to
chat with Justin Robinson. Justin is a founding member of the Carolina
Chocolate Drops and current member of his own project – Justin Robinson and the
Mary Annettes. His sound and style are unique, to say the least. I wanted to
figure out where his inspiration came from, and he wound up describing eras
long past and the End Times still to come. Join us for time travel with Justin
Robinson.
December or January, Few Years Back
Evening dew had become an icy
casing for the dead leaves that littered the ground. Justin Robinson tried to
avoid their crunch as he prowled from tree to tree, lest it scare off his prey.
His trusty canine companion crept close behind. Eventually Justin reached a
clearing where he saw a swamp, or at least what used to be a swamp. The chilled
air had turned the place into an ice-skating rink. Trees jutted from their
murky, frozen bases. The entire area had a warm, calming glow from the
moonlight being reflected off the ground.
Perhaps the discovery should
have been eerie: the full moon, the swampland, and the late hour. But instead
the image was beautiful. It was nature, in it’s purest form, and it had been
paused just for him. Justin circled the clearing, trying to absorb every ounce
of the beauty that surrounded him. After that, there was no point in continuing
this hunting venture; he had seen all he needed to see.
The evocative visual affected
Justin in ways he could not have expected, down to the very sound that would
define his future musicianship. Whenever MySpace or Facebook asked him to list
his influences, the first thing to come to mind was always the same: Moonlight
on a Frozen Swamp.
This Week(ish)
You probably won’t realize it
if you run into Justin Robinson this week. He studies at North Carolina State
University, where he is pursuing his graduate degree in Forestry. This may not
seem to be the logical follow-up to the undergrad in linguistics he earned at
the UNC, but it’s whatever. He loves his iPad and his car and other modern
luxuries like not dying from gonorrhea. He hits the gym in the morning and the books
at night.
If you run into Justin
Robinson this week, you probably won’t realize that he has a Grammy at home.
You won’t know this summer he’ll be on tour to support his latest genre-defying
record. You’ll have no way of knowing that some of his biggest creative influences
come from eras past.
When Justin Robinson Became Grammy-Award-Winner
Justin Robinson
Justin Robinson was one of
the founding members of the Durham-based Carolina Chocolate Drops. This all
African American band countered modern stereotypes of folk music by adding
hip-hop elements for an often more playful sound. On February 12, 2011, they won
a Grammy for Best Traditional Folk Album. The album was Genuine Negro Jig, for which Robinson shared vocal responsibilities
and played a variety of instruments. A week prior to their monumental win,
however, Robinson had publically announced his departure from the group.
A year later, Justin still
doesn’t say much about his split from the Chocolate Drops. He will say that he
is on good terms with his old band mates, and has a strong feeling that they’ll
work together again in the future. He is happy for the continued success of his
former group, but says their popularity wasn’t what made the split difficult.
“Those are the folks I’ve
played music with for the last five and half years, the folks I’ve been in
really intimate situations with for so long,” says Justin. “And that not being
a thing anymore is difficult. It’s not unlike a break-up. Well… it is a
break-up. That part was hard. But the success had nothing to do with it.
Success was not really an important factor for me. Being a full-time member of
the band just isn’t in the cards for me right now.”
Formation of the Mary Annettes
Following his departure from
the Chocolate Drops, Robinson continued to write and play his own weird brand
of music. He decided to assemble a group that could play behind him while he
experimented with new styles and influences. He took members of other bluegrass
groups and mixed them with employees from instrument repair shops and then
threw in a drummer he found on Craigslist.
Together, they formed Justin
Robinson and the Mary Annettes.
As the group worked together
more and more, they transformed from Justin’s backing band to an ensemble with a
distinct sound.
Post-Civil War
In the wreckage of a nation
divided, there was one movement that brought the people back together in the
1870s. A new type of music blended the styles of black and white folk, North
and South. It featured string instrumentation of classical artists from
centuries ago, and infused the rhythm Confederate soldier chants. The music
that resulted was bouncy and playful, but the lyrics placed over were
thematically heavy and dark. The genre became known as Post-Civil War Hip-Hop.*
* None of the previous
paragraph is not backed by so much as an unedited Wikipedia article, but it somehow
captures the aura of Justin Robinson and the Mary Annettes. Some members of the
ethnically diverse group are classically trained, while others taught
themselves an instrument based on their Southern upbringing. They don’t like to
be classified by something as simple as folk or bluegrass. One of Justin’s
friends once off-handedly described their genre-blending sound as “post-Civil
War hip-hop,” and the title just kind of stuck.
The Release of Bones for Tinder
The first LP of Justin
Robinson and the Mary Annettes, Bones for
Tinder, was released January 17, 2012. Anybody expecting an extension of
his Carolina Chocolate Drops sound was surely disappointed, but new fans found
a diverse record that transported them to another time and place.
Justin wanted to make sure no
two tracks sounded the same, but still keep them thematically united via a
quality he refers to as “shimmering darkness.” Many of the tracks have a full
band sound with lovely harmonies, but are still laced with intense lyrics.
“I’m highly suspect of music
that is just too unabashedly happy,” Justin says. “I assume there’s something
wrong with it. Songs should be more complex than that. I like the layers.”
There are multiple tracks
(Kissin’ and Cussin’, Ships & Verses, and Brook Street) that don’t feature
the Mary Annettes at all; he’s playing all the instruments. They were written
years prior and stored in his back pocket for when he had freedom to be a bit
more obscure with his music.
The CD release coincided with
the creation of a music video for their first single, “Vultures.” Justin
describes the debut video as unintentionally creepy, but he’s thrilled with how
it came out and he wouldn’t change a thing.
Less than a month after the
official drop, the band hosted their release party in Chapel Hill, North
Carolina. The band wore elaborate and elegant attire. The men wore entirely
white tuxedos and the women glammed out with jewelry and rhinestones to
complement their old-fashioned, hoop skirt dresses. They like to dress up for
every performance, but the release party got the best of their costumes so far.
“Costumes make it more fun,”
he says. “You get to wear something you don’t wear every day. I’m never going
to put on a tux again unless I’m getting an award or something.”
December 23, 2012 (and Beyond)
Besides moonlight on a frozen
swamp and post-Civil War hip-hop, Justin Robinson is also known to list “the
apocalypse” as a major influence. The group is preparing for the End of Days by
getting as much accomplished as possible with what’s left of the Mayan
calendar.
They are currently preparing
the video for a second single, “The Devil’s Teeth.” Over the summer, the band
will tour to continue to promote Bones
for Tinder. Justin says they are already working on another CD, and that
their next release will be a more collaborative effort by the Mary Annettes,
now that the group is more familiar with each other.
So Justin Robinson and the
Mary Annettes definitely have more in store, but are they a permanent fixture
in the indie music landscape? Each member seems to move to the beat of a drum
no one else can hear; is there the risk of another break-up?
“If you focus too much in one
spot, your music tends to get weirder and then it suffers. I like making music
and that will probably never change. Whether it will be this exact group of
people or some variation, who knows? But I will say I like what we’ve done so
far and what we can accomplish musically.”
Only time will tell.